Zeisberg 15 “Navaho Ritual Song”
Zeisberg includes the motif at the top of his arrangement and then harmonizes it, attributing the harmonization to himself. This is significant: it is the first time he has done so in this collection of arrangements, clearly marking--and, importantly, acknowledging--that someone else first harmonized the other arrangements. There are four more in the series for which he marks himself as the arranger: #17-20. In this arrangement, then, we get a clear sense of his style, including his approach to harmony and arranging with shifting the registral placement of the motif, a stylistic marker we have seen in previous re-arrangements.