Oberlin's Namesake: John Frederick Oberlin (1740-1826)Main MenuIntroduction to Oberlin's NamesakeDetailed Table of ContentsWhat's in a Name? Why Oberlin?Address by John W. KurtzJ. F. Oberlin in his lifetimeExplore materials made by Oberlin and his contemporariesThe Ban de la Roche, Alsace, FranceArt works and photographs of the regionEarly views of Oberlin, OhioDrawings, prints and photographs of the colony and collegeDesigning a monument to our namesake (video)Videos with the artist Paul B. ArnoldResources for further explorationAnne Cuyler Salsich, Oberlin College Archives65340b1e79f9df03d291b8de171f6479ab6abb16Oberlin College Archives, Oberlin, Ohio
Foudai Church, from the Basle Road
12018-01-12T16:18:25+00:00Anne Cuyler Salsich, Oberlin College Archives65340b1e79f9df03d291b8de171f6479ab6abb1615Lithograph illustration by Charles Joseph Hullmandel (British, 1789-1850)plain2018-02-21T16:30:25+00:00Hullmandel, Charles Joseph (British, 1789-1850)ca. 1829lithographOberlin College Library Special Collections20091201Memoirs of John Frederic Oberlin, pastor of Waldbach, in the Ban de la Roche (London: Holdsworth and Ball, 1829).Oberlin College Library Special Collections (obis.oberlin.edu/record=b1526623~S4)Anne Cuyler Salsich, Oberlin College Archives65340b1e79f9df03d291b8de171f6479ab6abb16
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12018-01-12T20:18:45+00:00Charles Joseph Hullmandel (British, 1789-1859)20plain2018-01-22T01:16:26+00:00The book Memoirs of John Frederic Oberlin, Pastor of Waldbach, in the Ban de la Roche (London: Holdsworth and Ball, 1829), published three years after Oberlin's death, is illustrated with lithographs by Charles Joseph Hullmandel. They were developed from drawings made by Mrs. Francis Cunningham during a visit to the region, some of which are held by the Oberlin College Archives. An 1829 edition of the book is held by the Oberlin College Library Special Collections.
Hullmandel was born in London of a German father and French mother. He travelled widely in Europe making drawings and paintings of the places he visited. In 1817, he met the inventor of the lithographic process, Senefelder, in Munich; the following year he established a lithographic press at his home in Great Marlborough Street, from where he produced prints until his death. One of the most significant figures in the development of lithography in the first half of the nineteenth century, his treatise The Art of Drawing on Stone (1824) was an essential manual of the art. He refined the lithographic process, developing a method for producing gradations in tones and creating the effect of soft washes of colour.1