Popular Protest in Post War Japan: The Antiwar Art of Shikoku GorōMain MenuOverviewThis exhibit explores the vibrant grassroots artistic culture of Hiroshima, known as the atomic bombed city. From 1949 through the 1990s, local artist Shikoku Gorō advanced a bold and democratic vision for cultural life by bringing poetry to the streets & mobilizing visual arts to represent the vitality, beauty, and complexity of Hiroshima. The exhibit explores a set of influential books, along with other examples of socially committed art. Shikoku and his circles of collaborators illuminated pathways to civic engagement for the citizens of Hiroshima—hibakusha (atomic bomb survivors), vets, & younger generations.Atom Bomb Poetry CollectionThe Angry JizoHiroshima SketchesGlossaryResourcesAcknowledgmentsAnn Sherif99c9850c7ffbc663daa16feec7b9f1dd71ca3e2e
Posters on a Corner
1media/street-corner-bullhorn_v3_thumb.jpg2020-07-28T22:21:13+00:00Max Mitchell5fec7a6574d32fe574c01ba927cd57c749ceca6991Shikoku Gorō’s sketch of petition drive using poem posters on street. Sketch on paper. nd.plain2020-07-28T22:21:13+00:00Shikoku HikaruphotographFBMD01000a830d00008a6e020083060700f7130700762a07004d420b00cbb61500874716002dae1600623a1700e9562700Max Mitchell5fec7a6574d32fe574c01ba927cd57c749ceca69
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12020-05-26T15:13:19+00:00Street Poem Posters5plain25272020-07-28T22:22:04+00:00A man with a bullhorn invites passers-by to sign an anti-nuclear weapons petition, while his colleague explains where to sign to a woman carrying a baby (seen from behind). Behind them are 3 eye-catching street poem posters. The one with the weeping child reads “Momma, Poppa--you died in the flash (pika)—now they’ve made an H-bomb. What should we do?”
Undaunted by the threat of arrest, the Our Poems Circle had many methods of putting to use poetry as a “weapon” in the fight for justice and democracy. One of their most compelling guerrilla methods was the tsuji-shi (street poem poster), which drew on classical genres that situated poetry and painting together in a single work, while innovatively claiming walls at foot-trafficked street corners throughout Hiroshima for pop-up exhibition space. The posters shown here are among the 8 extant of about 100 that Shikoku Gorō created together with poet Tōge Sankichi between 1950 to 1953.