Greed/"Fatherland"
By juxtaposing these two frames, the artist explicitly blames Jews, particularly the purported economic success of Jews, for the the misery of regular German citizens. The cartoon places, whether grounded in reality or not, the success of one group of people as happening at the expense of another. By using this anti-Semitic caricature, it explains the greed of capitalism as part of a broader Jewish conspiracy.
Bibliography:
Beck, Hermann. “Julius Streicher und ‘Der Stürmer’ 1923–1945.” German History 33, no 2 (2015): 322-324.