Sounding Decolonial Futures: Decentering Ethnomusicology's Colonialist LegaciesMain MenuIntroduction to this projectAbout this projectColonial Legacies regarding Indigenous Musical PracticesStrategies to Undo Colonial LegaciesCitation and UsePage explaining how to use and cite this projectGlossaryA list of frequently used or uncommon termsList of ResourcesTitle pageAcknowledgmentsAcknowledgments
Annotation: John Comfort Fillmore
12020-01-09T18:59:42+00:00Jennifer Fraser404477000adfd4e5c7a1128cfac82e1fc740e8c3184Annotation of Fillmore on Zeisberg Manuscriptsplain2021-01-05T02:17:17+00:00Jennifer Fraser404477000adfd4e5c7a1128cfac82e1fc740e8c3John Comfort Fillmore collaborated with Alice C. Fletcher. She consulted with him for his musical expertise and he subsequently proposed the harmonization of Indigenous practices.
Contents of this annotation:
1media/zeisberg 1_thumb.jpg2020-01-07T12:55:15+00:00Jennifer Fraser404477000adfd4e5c7a1128cfac82e1fc740e8c3Manuscript: Zeisberg, No.1 "Omaha Rest Song of the Leader (He dhu shka)"8Page 1 of Primitive Indian Tunes, piano transcriptions by F. J. Zeisbergmedia/zeisberg 1.jpgplain2022-05-30T17:50:59+00:001937Donation to Oberlin CollegeLuca Connorsced9dd0f9f64a731c75f8e47663d30a132fa944a
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1media/Structural Peculiarities.jpg2019-12-20T00:28:26+00:00DaQuan Williams14c8f9fc552a0e5dd97ca0c7650e6e6f587f969eJohn C. Fillmore (1843-1898)Jennifer Fraser7A brief introduction to John C. Fillmore & His Harmonization Experimentplain2022-06-07T20:08:05+00:00Jennifer Fraser404477000adfd4e5c7a1128cfac82e1fc740e8c3