Sounding Decolonial Futures: Decentering Ethnomusicology's Colonialist LegaciesMain MenuIntroduction to this projectAbout this projectColonial Legacies regarding Indigenous Musical PracticesStrategies to Undo Colonial LegaciesCitation and UsePage explaining how to use and cite this projectGlossaryA list of frequently used or uncommon termsList of ResourcesTitle pageAcknowledgmentsAcknowledgments
Annotation: Alice C. Fletcher
12020-01-09T18:57:54+00:00Jennifer Fraser404477000adfd4e5c7a1128cfac82e1fc740e8c3183Annotation: Alice C. Fletcherplain2022-05-30T18:13:26+00:00Luca Connorsced9dd0f9f64a731c75f8e47663d30a132fa944aAlice C. Fletcher was an early ethnologist who transcribed and recorded Omaha musical practices on wax cylinder recordings in the late 19th century, starting in 1881. Some of her recordings are in the Library of Congress.
Contents of this annotation:
1media/zeisberg 1_thumb.jpg2020-01-07T12:55:15+00:00Jennifer Fraser404477000adfd4e5c7a1128cfac82e1fc740e8c3Manuscript: Zeisberg, No.1 "Omaha Rest Song of the Leader (He dhu shka)"8Page 1 of Primitive Indian Tunes, piano transcriptions by F. J. Zeisbergmedia/zeisberg 1.jpgplain2022-05-30T17:50:59+00:001937Donation to Oberlin CollegeLuca Connorsced9dd0f9f64a731c75f8e47663d30a132fa944a