Stop It!
Tōge and Shikoku varied their approaches in order to keep the posters fresh and in touch with the pulse of the nation. They made each poster by hand, and took care to vary them in tone, method, and subject matter.
Some posters attracted passersby with their intimate subjects. During one creative session, Tōge took inspiration for a poem from a sketch by Shikoku of a child weeping in the ruins of Hiroshima. After the bombing, orphans wandered the city. Parents searched for their children day after day in parts of the city that had been burnt to the ground in an instant by the atomic bomb.
The poster shown here does not mention the bomb, but the profound and widespread feeling of loss and grief expressed in this poem, even five years after the bomb burst, would have been palpable to many Hiroshima residents.
Shikoku made poem posters a number of times throughout his career, and continued to argue for their efficacy as a means of fighting for social change with art.